Adobe bridge color sampler tool

By default, Range Mask is set as None. Select the Visualize Luminance Map check box to view the luminance information of the photo in black and white representation. The part in red color shows the actual area masked which is an intersection of depth and local adjustment applied.

After refining the mask area, you can then make selective adjustments to create precise photographic edits. You can save local adjustments as presets so that you can quickly apply the effects to other images.

You create, select, and manage local adjustment presets using the Camera Raw Settings menu in the Adjustment Brush or Graduated Filter tool options. You apply local adjustment presets using the Adjustment Brush tool or the Graduated Filter tool. Then, choose one of the following commands:. New Local Correction Setting. Saves the current local adjustment effect settings as a preset. Type a name and click OK. Saved presets appear in the Local Adjustment Settings menu and can be applied to any image that is opened in Camera Raw.

Select a preset to apply its settings with the Adjustment Brush tool or the Graduated Filter tool. When applying a local adjustment preset with the Adjustment Brush tool, you can still customize the brush options, including Size, Feather, Flow, and Density. The preset applies the effect settings at the specified brush size.

The same effect settings are available for the Adjustment Brush tool and the Graduated Filter tool. As a result, local adjustment presets can be applied using either tool, regardless of which tool was used to create the preset.

Legal Notices Online Privacy Policy. User Guide Cancel. Make it. The following article is no longer valid starting from Camera Raw version Update your app to the latest version, see Masking in Camera Raw and access the latest local adjustment tools. About local adjustments.

Apply local adjustments with the Adjustment Brush tool in Camera Raw. Select the Adjustment Brush tool from the toolbar or press K. Compensates for a green or magenta color cast. Adjusts the image contrast, with a greater effect in the midtones. Recovers detail in overexposed highlight areas of an image. Recovers detail in underexposed shadow areas of an image. Adjusts the white points in a photo. Adjusts the black points in a photo. Adds depth to an image by increasing local contrast.

Reduces or increases existing haze in a photo. Changes the vividness or purity of the color. Enhances edge definition to bring out details in a photo. A negative value blurs details. Reduces luminance noise, which can become apparent when shadow areas are opened.

Specify brush options:. Specifies the diameter of the brush tip, in pixels. Controls the hardness of the brush stroke. Controls the rate of application of the adjustment. Controls the amount of transparency in the stroke.

Auto Mask. Confines brush strokes to areas of similar color. Show Mask. Toggles visibility of the mask overlay in the image preview. Move the Adjustment Brush tool over the image. Optional Refine the adjustment by doing any of the following:. Drag any of the effect sliders in the Adjustment Brush tool options to customize the effect in the image. Press V to hide or show the pin icon.

To toggle visibility of the mask overlay, use the Show Mask option, press Y, or position the pointer over the pin icon. To undo part of the adjustment, click Erase in the Adjustment Brush tool options and paint over the adjustment. Remove the adjustment completely by selecting the pin and pressing Delete. Click Clear All at the bottom of the tool options to remove all Adjustment Brush tool adjustments and set the mask mode to New.

Optional Click New to apply an additional Adjustment Brush tool adjustment, and refine it as desired using the techniques in step 6. Apply local adjustments with the Graduated Filter tool in Camera Raw.

Select the Graduated Filter tool from the toolbar or press G. It just wrote down those numbers. Then when you're making an adjustment, you'll find that there'll be two sets of numbers in here. So if I were to do something like Creative Adjustment Layer, for instance, right away in the info panel, you'll find that now there are two sets of numbers, and that means you're actively adjusting the image, and the number of the left is what you started with the numbers on the right or what you're ending with meaning the results of your adjustment.

And so I could have used that when I wanted one area to match another. I would have put in to color samplers one for the area. Want to change in one for the area I'm attempting to match? And then I could be comparing the numbers in the info panel as I made the adjustment. When you're done using the color sampler tool, those little crosshairs will stay on your picture. But they don't print out and they don't show up in other programmes other than Photoshopped.

So you're welcome to leave him there if you want. If you want to get rid of them, though, when you're in the color sampler tool, there will be a button in your options bar just called clear all and that will remove them all from your image.

So if you just don't visibly like the way they look, you're welcome to clear him all when you're done, and that is the color sampler tool. All individual classes that make up this bootcamp are also available here for individual purchase. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects. Ben takes you step-by-step through Adobe Photoshop as only he can.

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Drag to the left to darken shadows while minimizing clipping. Drag to the right to brighten shadows and recover shadow details. Whites PV Adjusts white clipping. Drag to the left to reduce clipping in highlights. Drag to the right to increase highlight clipping. Increased clipping may be desirable for specular highlights, such as metallic surfaces. Blacks PV Adjusts black clipping. Drag to the left to increase black clipping map more shadows to pure black. Drag to the right to reduce shadow clipping.

Blacks PV and PV Specifies which image values map to black. Moving the slider to the right increases the areas that become black, sometimes creating the impression of increased image contrast.

The greatest effect is in the shadows, with much less change in the midtones and highlights. Recovery PV and PV Attempts to recover details from highlights. Camera Raw can reconstruct some details from areas in which one or two color channels are clipped to white. Attempts to recover details from shadows, without brightening blacks.

Camera Raw can reconstruct some details from areas in which one or two color channels are clipped to black. Brightness PV and PV Adjusts the brightness or darkness of the image, much as the Exposure property does. However, instead of clipping the image in the highlights or shadows, Brightness compresses the highlights and expands the shadows when you move the slider to the right.

Often, the best way to use this control is to set the overall tonal scale by first setting Exposure, Recovery, and Blacks; then set Brightness. Large Brightness adjustments can affect shadow or highlight clipping, so you may want to readjust the Exposure, Recovery, or Blacks property after adjusting Brightness.

The curves represent changes made to the tonal scale of an image. The horizontal axis represents the original tone values of the image input values , with black on the left and progressively lighter values toward the right. The vertical axis represents the changed tone values output values , with black on the bottom and progressing to white at the top. If a point on the curve moves up, the output is a lighter tone; if it moves down, the output is a darker tone.

The Parametric Curve helps adjust values in specific tonal ranges in the image. The areas of the curve affected by the region properties Highlights , Lights , Darks , or Shadows depend on where you set the split controls at the bottom of the graph.

The middle region properties Darks and Lights mostly affect the middle region of the curve. The Highlight and Shadows properties mostly affect the ends of the tonal range.

The Parametric Curve Targeted Adjustment tool does not affect point curves. You can change the color saturation of all colors by adjusting the Clarity , Vibrance , and Saturation controls in the Basic panel. To adjust saturation for a specific range of colors, use the controls in the Color Mixer panel. Adds depth to an image by increasing local contrast, with greatest effect on the midtones.

This setting is like a large-radius unsharp mask. To maximize the effect, increase the setting until you see halos near the edge details of the image and then reduce the setting slightly. Adjusts the saturation so that clipping is minimized as colors approach full saturation. This setting changes the saturation of all lower-saturated colors with less effect on the higher-saturated colors. Vibrance also prevents skin tones from becoming oversaturated. You can use the controls in the Color Mixer panel under Edit to adjust individual color ranges.

For example, if a red object looks too vivid and distracting, you can decrease the Reds values in the Saturation section. The following sections contain controls for adjusting a color component for a specific color range:. Changes the color. For example, you can change a blue sky and all other blue objects from cyan to purple. Changes how vivid or pure the color is. For example, you can change a sky from gray to highly saturated blue.

The Targeted Adjustment tool allows you to make tonal and color corrections by dragging directly on a photo. Using the Targeted Adjustment tool, you can drag down on a blue sky to desaturate it, for example, or drag up on a red jacket to intensify its hue.

Open the Curve panel under Edit and select the Targeted Adjustment tool. In the preview image, dragging the tool up or right increases values; dragging down or left decreases values. Sliders for more than one color may be affected when you drag with the Targeted Adjustment tool. To make tone curve adjustments using the Targeted Adjustment tool, choose Parametric Curve. Then, drag the tool in the preview image.